Analogue Systems RS-110N manual

Analogue Systems RS-110N
7.5 · 1
PDF manual
 · 3 pages
English
manualAnalogue Systems RS-110N
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INTRODUCTION

The pioneers of synthesis understood that
the flexibility with which a signal could
be routed through filters was one of the
most important elements of a synthesiser.
Their modular synths featured four
different types of filter: high pass filters
which remove low frequencies (thus
making a sound thinner), low pass filters
(often used to emulate natural sounds) and
band pass and band reject (notch) filters
for resonant and special effects. These
filters determined the power and the
sound of the instrument.
In the early 1970s the Minimoog and the
ARP Odyssey defined the architecture of
integrated monosynths, and the rest of the
synthesiser world was to follow their lead
for more than a decade. The Minimoog
provided just a single low-pass filter, while
the Odyssey offered a simple high-pass
filter in addition to its low-pass filter (but
this was neither resonant nor voltage
controlled). As a result, large modular
synthesisers remained far more flexible
than their smaller brethren.
This situation persisted until the 1990s
when multimode filters reappeared on
some of the newer digitally modelled
synthesisers such as the Korg Prophecy. Unfortunately, and in common with all its brethren, the Prophecy
is incapable of handling signals from the outside world. This is because the filter circuits do not exist:
they are modelled mathematically, and form part of the complex calculations used to generate the analogue
simulation. In contrast, the RS110 is a true analogue multimode filter. It is built from discrete components,
and it eschews the use of the filter chips used by other manufacturers of analogue synthesisers. This
means that the RS110 has a unique character that sets it apart from the crowd

IN USE

The RS110 consists of a two channel audio mixer followed by four, parallel, resonant filters with voltage
controlled frequency and a unique "insert" point in the feedback path that generates and controls resonance.
Filter Modes
The RS110 offers four filter modes. These are 24dB
/
Oct low-pass, 24dB
/
Oct high-pass, 12dB
/
Oct band-
pass and 12dB
/
Oct band reject (often called 'notch') filtering, with the cutoff frequencies (Fc) of the high-
pass and low-pass outputs being the centre frequencies of the band-pass and notch outputs. Each of
these filter characteristics is described in appendix 2.

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